The Tabloid Effect: How Ink Misses the Mark on a More Nuanced Story Danny Boyle's new film, Ink, has been making waves at the Venice Film Festival for its unapologetic portrayal of the early days of Rupert Murdoch's Sun newspaper.
As a biopic that promises to expose the raw and unvarnished truth behind one of Britain's most infamous tabloids, Ink is an intriguing prospect.
However, beneath its surface level sensationalism lies a more complex narrative – one that Boyle and his screenwriter James Graham only scratch at, rather than fully excavating.